LnRiLWZpZWxke21hcmdpbi1ib3R0b206MC43NmVtfS50Yi1maWVsZC0tbGVmdHt0ZXh0LWFsaWduOmxlZnR9LnRiLWZpZWxkLS1jZW50ZXJ7dGV4dC1hbGlnbjpjZW50ZXJ9LnRiLWZpZWxkLS1yaWdodHt0ZXh0LWFsaWduOnJpZ2h0fS50Yi1maWVsZF9fc2t5cGVfcHJldmlld3twYWRkaW5nOjEwcHggMjBweDtib3JkZXItcmFkaXVzOjNweDtjb2xvcjojZmZmO2JhY2tncm91bmQ6IzAwYWZlZTtkaXNwbGF5OmlubGluZS1ibG9ja311bC5nbGlkZV9fc2xpZGVze21hcmdpbjowfQ==
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
Crafting Identity: Masks and the Pastorella in Michoacan
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